واکاوی پیوند متن و تصویر در منطق‌الطیر عطار(مطالعه موردی: نسخه خطی 1261ق)

Statement of the problem: Attar's Mantegh Alteyr contains extraterrestrial content and the manifestation of mystical spirits and tendencies. During different eras, versions of Mantegh Alteyr have been produced. One of the very limited illustrated manuscripts of this work was produced in the Qajar period and is kept in the National Library of Iran today, and its images have not been analyzed by research.

Purpose: to investigate the origins of the creation of images in the 1261 AH manuscript of Mantegh Alteyr (preserved in the National Library with retrieval number 19039), in line with the representation and impact factor of the visual discourse produced from the written narrative, and to investigate the degree of fidelity of the illustrator to the original text, based on formative criticism.

Question: The holistic question of the research is based on how much the illustrations of the 1261 AH version paid attention to preserving the originality and changing the narrative discourse in the visual discourse of Mantegh Alteyr. And in the meantime, how is the influence of the pre-text on the final text, the visual scenes and the appearance characteristics of the characters in this version represented?

Method: By using the descriptive-analytical method and based on the theoretical framework of formative criticism, the study community (10 images) has been investigated.

Conclusion: The anonymous illustrator of this work was fully aware of the pictorial principles of his period (first Qajar period) and used all the points and features of this period in his illustrations. On the other hand, the images of the story generally correspond to the text of the poems, but the illustrator did not fully adhere to the text in characterizing and the number of characters, creating atmosphere and depicting the mental and physical states of the characters, and in the meantime political, social, and cultural norms and the artist's art and personal style has been effective.



Statement of the problem: Attar's Mantegh Alteyr contains extraterrestrial content and the manifestation of mystical spirits and tendencies. During different eras, versions of Mantegh Alteyr have been produced. One of the very limited illustrated manuscripts of this work was produced in the Qajar period and is kept in the National Library of Iran today, and its images have not been analyzed by research.

Purpose: to investigate the origins of the creation of images in the 1261 AH manuscript of Mantegh Alteyr (preserved in the National Library with retrieval number 19039), in line with the representation and impact factor of the visual discourse produced from the written narrative, and to investigate the degree of fidelity of the illustrator to the original text, based on formative criticism.

Question: The holistic question of the research is based on how much the illustrations of the 1261 AH version paid attention to preserving the originality and changing the narrative discourse in the visual discourse of Mantegh Alteyr. And in the meantime, how is the influence of the pre-text on the final text, the visual scenes and the appearance characteristics of the characters in this version represented?

Method: By using the descriptive-analytical method and based on the theoretical framework of formative criticism, the study community (10 images) has been investigated.

Statement of the problem: Attar's Mantegh Alteyr contains extraterrestrial content and the manifestation of mystical spirits and tendencies. During different eras, versions of Mantegh Alteyr have been produced. One of the very limited illustrated manuscripts of this work was produced in the Qajar period and is kept in the National Library of Iran today, and its images have not been analyzed by research.

Purpose: to investigate the origins of the creation of images in the 1261 AH manuscript of Mantegh Alteyr (preserved in the National Library with retrieval number 19039), in line with the representation and impact factor of the visual discourse produced from the written narrative, and to investigate the degree of fidelity of the illustrator to the original text, based on formative criticism.

Question: The holistic question of the research is based on how much the illustrations of the 1261 AH version paid attention to preserving the originality and changing the narrative discourse in the visual discourse of Mantegh Alteyr. And in the meantime, how is the influence of the pre-text on the final text, the visual scenes and the appearance characteristics of the characters in this version represented?

Method: By using the descriptive-analytical method and based on the theoretical framework of formative criticism, the study community (10 images) has been investigated.

Conclusion: The anonymous illustrator of this work was fully aware of the pictorial principles of his period (first Qajar period) and used all the points and features of this period in his illustrations. On the other hand, the images of the story generally correspond to the text of the poems, but the illustrator did not fully adhere to the text in characterizing and the number of characters, creating atmosphere and depicting the mental and physical states of the characters, and in the meantime political, social, and cultural norms and the artist's art and personal style has been effective.