Ferdows Art

Ferdows Art

As an academic research journal in the fields of art and art education which is published as a quarterly in Persian by Ferdows Institute for Higher Education with the license of the Ministry of Culture and Islamic Guidance and under the registration number 86090, "Ferdows Honar" publishes original research and analytical articles authored based on scientific methods and findings in the fields of visual arts (graphics, painting, photography, sculpture) and applied arts (handicrafts, traditional arts, carpets, industrial design). The journal's main purpose is to help create new ideas in art, develop science in the field of art research and education, expand the theoretical and practical aspects of art, publish scientific findings, and inform about the latest research and educational achievements in art, seeking to improve the quality of education and research in ars and meet the scientific needs of the Iranian art community. 

 Considering its policies regarding calling for and evaluating articles, "Ferdows Honar" emphasizes the creative and innovative aspect of the articles, their citation to new scientific sources, overcoming the drawbacks in Iranian art studies, development of knowledge, and correction of attitudes towards art and its requirements based on credible sources. Stressing on the development of discursive space, theory-building in visual and applied arts, and the critical aspects of art education in Iran, this journal does not accept articles that rely merely on statistical data. The submitted articles will be reviewed via double-blind review and published if approved by reviewers and the editorial board. To facilitate the use of articles published in this journal by professors, researchers, students, and artists, "Ferdows Honar" has provided open free access to all articles uploaded on the journal's website, seeking to establish broader communications with the world.

Undergoing the process of taking the scientific research license, "Ferdows Honar" welcomes the articles of professors, art scholars, and honorable students to achieve its goals.  The journal does not charge the authors for reviewing and publishing articles.  For more information, visit the authors' guide page.

It should be noted that all submitted articles will be checked for similarity by a plagiarism detection system in the initial evaluation stage.

Keywords Cloud

  • Lithography
  • Painting
  • Iconology
  • Islamic art
  • illustration
  • Mythology
  • individual privacy
  • bird
  • interactive space
  • Erwin Panofsky
  • collective privacy
  • social personality
  • persian painting
  • Shahnameh
  • Cinema
  • symbolism
  • Safavid Era
  • Metalwork
  • Semiotics
  • Formative criticism
  • Gestalt Theory
  • Iranian painting
  • Flower
  • Baudrillard
  • Keywords: Timurid period
  • Dervish
  • native materials
  • engraving
  • Hal and Qal
  • stylistics
  • abstraction
  • traditional weaving
  • textile aesthetics
  • Postdramatic Theatre
  • creativity
  • Ottoman tent
  • traditional pattern
  • Tahmasp’s Shahnameh
  • Fereydoun
  • Environmental Graphics
  • Ziegler Company
  • Japanese Art
  • interior architecture
  • Identity of urban landscape
  • Nomadic Rug
  • Armenian artists
  • Changeability
  • Creative Imagination
  • European tourists
  • time game
  • public spaces
  • Perceived stress
  • Rakhsh
  • Mashhad Painting School
  • Flexibility
  • pattern design
  • Ahmad Neyrizi
  • transformation
  • A Requiem for Fereydoun
  • Carpet weaving
  • Narrative studies
  • Play
  • website
  • Metro Graphics
  • Nasser Owaisi
  • Darreh-Negaran
  • Iconographic Analysis
  • realistic style
  • Spatial Experience
  • Mohi-al-Din Ibn-Arabi
  • Manichaean literature
  • Bakhtin
  • handmade carpets
  • Scene of Zahak\'s Hanging Illustration
  • Older Adults
  • graphic style of the game
  • Qajar, Coffeehouse Painting, Mehdi-Qoli Beyk Bathhouse (Mashhad), Shiruyeh and the Colonel, Battle Attire
  • Opera
  • Samak-e Ayyār
  • Metaphysical beings
  • il I Safav
  • MDA Framework
  • Social Structure
  • Buildings
  • KeyWords: Shabihkhani
  • silver Smithing
  • Persian Type
  • Medical Arts
  • mixedmedia
  • Iranian handwoven fabrics
  • Coworking space
  • Psychological Criticism
  • Iran
  • Pattern and color
  • Masculinity
  • Male grooming
  • Terrence Malick
  • artistic adaptation
  • Mosques
  • Keywords: Third Place
  • Zahhak
  • Packaging
  • Isfahan
  • Structuralism
  • Keywords: Antique-looking carpet
  • Advertising method
  • Decoration Process
  • workspace
  • Herat School
  • Art Education
  • Chaharsuffa
  • Dérivation
  • Parviz Tanavoli
  • Keywords: Illustration, Creative Poster, Graphic Design, Handcrafted Posters
  • Islamic Period
  • Ministry of Education
  • mechanical systems
  • Social Status
  • place identity
  • Safavid tile
  • Death, Destruction, and Detroit
  • Metaphorical Expression
  • religious themes
  • Timurid period
  • palaces
  • Personality selection
  • abstract style
  • Dance of the Goddess and Satyr Carpet
  • university of architecture
  • graffiti
  • divine prophets
  • meaning
  • Baysonghori Shahnameh
  • Rural rug
  • Ismail Jorjani
  • Decorations
  • Shahab al-Din Suhrawardi
  • Ottoman Naskh script
  • Hossein Alizadeh
  • Handicrafts
  • My fatwa
  • Mahmoud Farshchian
  • Oral History
  • Narrative illustration
  • Ardeshir and Golnar
  • Sassanid
  • Martin Heidegger
  • painting\"
  • \"Seventh grade\"
  • Contemporary Tabriz Carpet
  • Majid Mehrgan\"
  • Lorestan Bronzes
  • feature films
  • Cooling
  • Privacy Spectrum
  • \"
  • \"Persian book\"
  • Farshid Mesghali
  • court iconography
  • Steel window
  • Marketing
  • Sohrab Sepehri
  • Naqsh-mayeh
  • Feminist Aesthetics
  • Tiling
  • Qajar period painting
  • Suffocation Movie
  • Mirza Ali-Qoli khouei
  • Watershed
  • The Qajar Era
  • Hypertextualité
  • Umayyad pottery
  • Saravan
  • spatial identity
  • Text and image interaction theory
  • Haft Awrang
  • romantic themes
  • Sheikh Safi
  • multi-legged
  • Ostomy
  • relationship between text and image
  • Qomes
  • Seyyed al-Shaara
  • anatomy
  • Religion
  • Identity
  • Mirza Mostafa
  • \"Design method\"
  • University
  • Film-noir
  • symbol
  • decorative themes
  • Community Architecture
  • perspective
  • Advertising tools
  • \"Traditional Arts\"
  • Keywords: Design
  • Coworking spaces
  • pharmacy house
  • Noushafrin Gohartaj