Ferdows Art

Ferdows Art

As an academic research journal in the fields of art and art education which is published as a quarterly in Persian by Ferdows Institute for Higher Education with the license of the Ministry of Culture and Islamic Guidance and under the registration number 86090, "Ferdows Honar" publishes original research and analytical articles authored based on scientific methods and findings in the fields of visual arts (graphics, painting, photography, sculpture) and applied arts (handicrafts, traditional arts, carpets, industrial design). The journal's main purpose is to help create new ideas in art, develop science in the field of art research and education, expand the theoretical and practical aspects of art, publish scientific findings, and inform about the latest research and educational achievements in art, seeking to improve the quality of education and research in ars and meet the scientific needs of the Iranian art community. 

 Considering its policies regarding calling for and evaluating articles, "Ferdows Honar" emphasizes the creative and innovative aspect of the articles, their citation to new scientific sources, overcoming the drawbacks in Iranian art studies, development of knowledge, and correction of attitudes towards art and its requirements based on credible sources. Stressing on the development of discursive space, theory-building in visual and applied arts, and the critical aspects of art education in Iran, this journal does not accept articles that rely merely on statistical data. The submitted articles will be reviewed via double-blind review and published if approved by reviewers and the editorial board. To facilitate the use of articles published in this journal by professors, researchers, students, and artists, "Ferdows Honar" has provided open free access to all articles uploaded on the journal's website, seeking to establish broader communications with the world.

Undergoing the process of taking the scientific research license, "Ferdows Honar" welcomes the articles of professors, art scholars, and honorable students to achieve its goals.  The journal does not charge the authors for reviewing and publishing articles.  For more information, visit the authors' guide page.

It should be noted that all submitted articles will be checked for similarity by a plagiarism detection system in the initial evaluation stage.

Keywords Cloud

  • Painting
  • Lithography
  • Iconology
  • Islamic art
  • illustration
  • social personality
  • Cinema
  • Iranian painting
  • Mythology
  • Semiotics
  • interactive space
  • persian painting
  • Flower
  • Safavid Era
  • bird
  • Shahnameh
  • individual privacy
  • Metalwork
  • collective privacy
  • Formative criticism
  • Gestalt Theory
  • symbolism
  • Erwin Panofsky
  • health
  • Sustainable development
  • Structuralism
  • media
  • Sohrab Sepehri
  • advertisement
  • Marketing
  • Strategic Management
  • transformation
  • stylistics
  • anatomy
  • Thermal comfort
  • Entrepreneurship
  • Religion
  • Iran
  • Cultural Heritage
  • umayyad
  • motif
  • myth
  • meaning
  • Social Status
  • Narrative research
  • Visual Perception
  • Weapon
  • Mahmoud Farshchian
  • Lamp Stand
  • Culture
  • Social Cohesion
  • Space
  • Urban Art
  • Bakhtin
  • perspective
  • Baudrillard
  • Mohammad Shoqi Effendi
  • Typologies of Participation
  • hero
  • abstraction
  • libraries
  • Social Semiotics
  • Advertising
  • symbol
  • employment
  • Traditional architecture
  • text
  • art
  • environment
  • Tabriz
  • Masculinity
  • design
  • creativity
  • website
  • Handicrafts
  • Cooling
  • public spaces
  • Perceived stress
  • Developments
  • Oral History
  • moderate moralism
  • aesthetic value
  • Iconography
  • Social class
  • Natural Ventilation
  • Islamic architecture
  • Design process
  • Watershed
  • \"
  • Haft Awrang
  • Recreation
  • Dervish
  • Sasanian art
  • COVID-19
  • Metaphorical Expression
  • Persian Miniature
  • Ministry of Education
  • Pre-Modern Lighting Utensils
  • Peyman Ghadimi
  • workspace
  • Islamic Period
  • Architectural Space
  • Optical Space
  • Illuminated Light
  • Light Design
  • Light / Space
  • Shahab al-Din Suhrawardi
  • Martin Heidegger
  • Textbook
  • Art Education
  • Naskh script
  • Iranian Naskh script
  • Ottoman Naskh script
  • Ahmad Neyrizi
  • Social Structure
  • Community Architecture
  • Timurid period
  • contemporary Islamic architecture
  • Persian handmade carpet
  • Advertising tools
  • Advertising method
  • attachment to place
  • Buildings
  • third place
  • Sultan Ibrahim Mirza
  • Mashhad Painting School
  • Islamic mysticism
  • Civilization
  • calligraphy
  • well-being
  • Mosques
  • Iranian architecture
  • Semnan
  • Author
  • Saravan
  • Moral Value
  • Packaging
  • Forms and Arrays
  • Pomegranate Bunch
  • Khorasan School
  • Photography
  • Surrealism
  • Arg-e Bam
  • Herat School
  • \"Kheshty Dome\"
  • hypertextuality
  • pretext
  • Carpet weaving
  • Persian carpets
  • The Qajar Era
  • Ziegler Company
  • Pattern and color
  • wooden grave box of Shah Isma&rsquo
  • Physical Characteristics
  • inlay
  • jovak
  • construction method
  • il I Safav
  • Metaphysical beings
  • Sassanid
  • Ilkhanid
  • moral evolution
  • Comparative analysis
  • ethicism
  • \"Cultural-Historical Identity\"
  • Aby Warburg
  • Piero della Francesca
  • religious themes
  • decorative themes
  • silver Smithing
  • engraving
  • Metalworking
  • Armenian artists
  • form and motif
  • Sociology of emotion
  • music sociology
  • Hal and Qal
  • Aref Qazvini
  • My fatwa
  • Ali-Naqi Vaziri
  • Rug
  • Islamic Scripts
  • \"Traditional Arts\"
  • user
  • Isfahan
  • Sufi
  • school of Herat
  • royal coronation
  • King Hussein Bāyqarā
  • handmade carpets
  • \" Infographics\"
  • Deconstruction Metaphor
  • Typography
  • Persian Type
  • Sheikh Safi
  • symbolic designs
  • Mythical Narrative
  • A Requiem for Fereydoun
  • \"Design method\"
  • The art of book