Ahangar, Ali Analysis of graffiti works in Iran during the 1380s and 1390s from the perspective of social semiotics [Volume 3, Issue 9, 2022, Pages 52-69]
Ardalani, Hossein Reading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
C
Changiz, Sahar Allegorical mythology of multi-limbed humans
In the wonders of creatures and the wonders of existence
Illustrated Arabic version of Bordeaux library)) [Volume 3, Issue 10, 2022, Pages 78-91]
F
Farhangdoust, Hadi Transition from "social capital" to the creation of "social theory" in the sustainable development of architecture and urban planning: the basics of achieving physical capital [Volume 3, Issue 9, 2022, Pages 10-51]
Farkisch, Hero Transition from "social capital" to the creation of "social theory" in the sustainable development of architecture and urban planning: the basics of achieving physical capital [Volume 3, Issue 9, 2022, Pages 10-51]
G
Gargich, pari Analyzing the visual characteristics of the prehistoric petroglyphs of "Darenegaran" in Saravan [Volume 3, Issue 8, 2022, Pages 50-71]
Ghanbari Dorahi, Sanaz Analysis of "The hero’s subject" in mixed media figurative sculptures of contemporary Iranian artists from Bakhtin's point of view (90s) [Volume 3, Issue 11, 2023]
Ghazizadeh, Khashayar Comparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2023]
Gholami Houjeghan, Fatemeh Hypertextual reading of Mehrana Zarei's works with pretexts from western cinema [Volume 3, Issue 10, 2022, Pages 30-51]
H
Hanaee, Toktam Transition from "social capital" to the creation of "social theory" in the sustainable development of architecture and urban planning: the basics of achieving physical capital [Volume 3, Issue 9, 2022, Pages 10-51]
Heydari, Vahid Comparative study of decorative patterns of brickwork in historical buildings of Qoms region (4th to 8th centuries AH) [Volume 3, Issue 9, 2022, Pages 112-129]
J
Jahangard, Ali Akbar Analysis of "The hero’s subject" in mixed media figurative sculptures of contemporary Iranian artists from Bakhtin's point of view (90s) [Volume 3, Issue 11, 2023]
Jalalian, Sara Reading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
K
Kateb, Fatemeh The royal tents of Iran and Ottoman, the impact-fixation and continuity of Safavid to Qajar art [Volume 3, Issue 8, 2022, Pages 72-105]
Kheirabadi, Hadi The effectiveness of group music therapy on reducing perceived stress, during COVID-19 quarantine [Volume 3, Issue 8, 2022, Pages 106-117]
L
La’l Shateri, Mostafa An analysis on illustrations of Dale Mukhtar lithographic book based on formative criticism (Case study: the version 1330 AH) [Volume 3, Issue 11, 2023]
Lal shateri, Mostafa Analyzing the relationship between visual narrative and fictional narrative in Noushafrin Gohartaj's lithographic book (1293 AH) [Volume 3, Issue 8, 2022, Pages 118-140]
Lal Shateri, Mostafa Investigating the selection of characters in the depiction of divine prophets in the lithographic book of Masnavi al-Atfaal [Volume 3, Issue 9, 2022, Pages 70-99]
La’l Shateri, Mostafa Perspective in Seyyed al-Shaara's lithographic works (case study: illustrations of Bahr al-Fawaed book) [Volume 3, Issue 10, 2022, Pages 10-29]
M
MAHDAVI, EHSAN Opera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
N
Najm, Bahareh The effectiveness of group music therapy on reducing perceived stress, during COVID-19 quarantine [Volume 3, Issue 8, 2022, Pages 106-117]
Namdari, Bentolhoda Reading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
Nosrati, Ali The Influence of Male Identity on the Formation of the Female Icon in Film-noirs of the 1940s [Volume 3, Issue 10, 2022, Pages 92-113]
R
Rastegar Moghaddam, Masoud Analyzing the visual characteristics of the prehistoric petroglyphs of "Darenegaran" in Saravan [Volume 3, Issue 8, 2022, Pages 50-71]
S
Sarabi, Zohreh Perspective in Seyyed al-Shaara's lithographic works (case study: illustrations of Bahr al-Fawaed book) [Volume 3, Issue 10, 2022, Pages 10-29]
Sedighifard, Morteza An adaptive study of Qajar court photography and Qajar tile motifs from the visual perspective of Baudrillard (case study of Qajar mansion in Kermanshah province) [Volume 3, Issue 9, 2022, Pages 100-111]
Shokri, Sedighe Comparative study of decorative patterns of brickwork in historical buildings of Qoms region (4th to 8th centuries AH) [Volume 3, Issue 9, 2022, Pages 112-129]
T
Tabassi, Mohsen Transition from "social capital" to the creation of "social theory" in the sustainable development of architecture and urban planning: the basics of achieving physical capital [Volume 3, Issue 9, 2022, Pages 10-51]
Taghavi, Mahsa Opera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
Taheri Qomi, Seyed Mohammad Analyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]
Teymoori, Narges Allegorical mythology of multi-limbed humans
In the wonders of creatures and the wonders of existence
Illustrated Arabic version of Bordeaux library)) [Volume 3, Issue 10, 2022, Pages 78-91]
Z
Zekavat, Sahar Comparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2023]
