AdvertisingAnalysis of hand-woven packaging, using the graphic capacities of local designs, on cultural advertisements and introduction of original local designs
(Case Study weavings of Bushehr Province) [Volume 3, Issue 10, 2022, Pages 114-131]
Al BoyehExplanation of the epic and lyrical themes in the clothing of the paintings of the Lslamic era( case study; Al Boyeh period “textiles”). [Volume 3, Issue 11, 2022]
AuthorAnalysis of "The hero’s subject" in mixed media figurative sculptures of contemporary Iranian artists from Bakhtin's point of view (90s) [Volume 3, Issue 11, 2022]
B
Bahr al-FawaedPerspective in Seyyed al-Shaara's lithographic works (case study: illustrations of Bahr al-Fawaed book) [Volume 3, Issue 10, 2022, Pages 10-29]
BakhtinAnalysis of "The hero’s subject" in mixed media figurative sculptures of contemporary Iranian artists from Bakhtin's point of view (90s) [Volume 3, Issue 11, 2022]
BaudrillardAn adaptive study of Qajar court photography and Qajar tile motifs from the visual perspective of Baudrillard (case study of Qajar mansion in Kermanshah province) [Volume 3, Issue 9, 2022, Pages 100-111]
Bricks - tilesComparative study of decorative patterns of brickwork in historical buildings of Qoms region (4th to 8th centuries AH) [Volume 3, Issue 9, 2022, Pages 112-129]
BrickworkComparative study of decorative patterns of brickwork in historical buildings of Qoms region (4th to 8th centuries AH) [Volume 3, Issue 9, 2022, Pages 112-129]
BuildingsRe-reading the evolution of Isfahan buildings based on the drawings of European travel writers [Volume 3, Issue 9, 2022]
C
CinemaThe Influence of Male Identity on the Formation of the Female Icon in Film-noirs of the 1940s [Volume 3, Issue 10, 2022, Pages 92-113]
COVID-19The effectiveness of group music therapy on reducing perceived stress, during COVID-19 quarantine [Volume 3, Issue 8, 2022, Pages 106-117]
Cow- head maceComparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2022]
Cultural advertisingAnalysis of hand-woven packaging, using the graphic capacities of local designs, on cultural advertisements and introduction of original local designs
(Case Study weavings of Bushehr Province) [Volume 3, Issue 10, 2022, Pages 114-131]
D
Dale MukhtarAn analysis on illustrations of Dale Mukhtar lithographic book based on formative criticism (Case study: the version 1330 AH) [Volume 3, Issue 11, 2022]
Darreh-NegaranAnalyzing the visual characteristics of the prehistoric petroglyphs of "Darenegaran" in Saravan [Volume 3, Issue 8, 2022, Pages 50-71]
DérivationHypertextual reading of Mehrana Zarei's works with pretexts from western cinema [Volume 3, Issue 10, 2022, Pages 30-51]
DevelopmentsRe-reading the evolution of Isfahan buildings based on the drawings of European travel writers [Volume 3, Issue 9, 2022]
E
Erwin PanofskyThe Influence of Male Identity on the Formation of the Female Icon in Film-noirs of the 1940s [Volume 3, Issue 10, 2022, Pages 92-113]
European touristsRe-reading the evolution of Isfahan buildings based on the drawings of European travel writers [Volume 3, Issue 9, 2022]
F
Film-noirThe Influence of Male Identity on the Formation of the Female Icon in Film-noirs of the 1940s [Volume 3, Issue 10, 2022, Pages 92-113]
FlowerA reflection on the visual components of five works of flowers and birds by
Professor Haj Mirza Agha Emami [Volume 3, Issue 11, 2022]
Folk TalesAnalyzing the relationship between visual narrative and fictional narrative in Noushafrin Gohartaj's lithographic book (1293 AH) [Volume 3, Issue 8, 2022, Pages 118-140]
Formative criticismAn analysis on illustrations of Dale Mukhtar lithographic book based on formative criticism (Case study: the version 1330 AH) [Volume 3, Issue 11, 2022]
G
Galicia Cultural ComplexReading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
Gestalt TheoryAnalysis of the painting works of Majid Mehrgan (paintings of intimidation, heirs of the kingdom) Based on the components of Gestalt theories [Volume 3, Issue 11, 2022]
H
HypertextualitéHypertextual reading of Mehrana Zarei's works with pretexts from western cinema [Volume 3, Issue 10, 2022, Pages 30-51]
I
IconologyThe Influence of Male Identity on the Formation of the Female Icon in Film-noirs of the 1940s [Volume 3, Issue 10, 2022, Pages 92-113]
Indigenous motifsAnalysis of hand-woven packaging, using the graphic capacities of local designs, on cultural advertisements and introduction of original local designs
(Case Study weavings of Bushehr Province) [Volume 3, Issue 10, 2022, Pages 114-131]
Iranian paintingA reflection on the visual components of five works of flowers and birds by
Professor Haj Mirza Agha Emami [Volume 3, Issue 11, 2022]
IsfahanRe-reading the evolution of Isfahan buildings based on the drawings of European travel writers [Volume 3, Issue 9, 2022]
J
Jill DeleuzeReading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
K
Keywords: RizumReading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
KeyWords: ShabihkhaniOpera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
Keywords: strange creaturesAllegorical mythology of multi-limbed humans
In the wonders of creatures and the wonders of existence
Illustrated Arabic version of Bordeaux library)) [Volume 3, Issue 10, 2022, Pages 78-91]
L
LithographyPerspective in Seyyed al-Shaara's lithographic works (case study: illustrations of Bahr al-Fawaed book) [Volume 3, Issue 10, 2022, Pages 10-29]
LithographyInvestigating the selection of characters in the depiction of divine prophets in the lithographic book of Masnavi al-Atfaal [Volume 3, Issue 9, 2022, Pages 70-99]
LithographyAn analysis on illustrations of Dale Mukhtar lithographic book based on formative criticism (Case study: the version 1330 AH) [Volume 3, Issue 11, 2022]
LithographyAnalyzing the relationship between visual narrative and fictional narrative in Noushafrin Gohartaj's lithographic book (1293 AH) [Volume 3, Issue 8, 2022, Pages 118-140]
M
Majid Mehrgan"Analysis of the painting works of Majid Mehrgan (paintings of intimidation, heirs of the kingdom) Based on the components of Gestalt theories [Volume 3, Issue 11, 2022]
Manichaean literatureAnalyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]
Masnavi-Al-atfalInvestigating the selection of characters in the depiction of divine prophets in the lithographic book of Masnavi al-Atfaal [Volume 3, Issue 9, 2022, Pages 70-99]
Mehrana ZareiHypertextual reading of Mehrana Zarei's works with pretexts from western cinema [Volume 3, Issue 10, 2022, Pages 30-51]
MetalworkComparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2022]
Mimicry theoryAn adaptive study of Qajar court photography and Qajar tile motifs from the visual perspective of Baudrillard (case study of Qajar mansion in Kermanshah province) [Volume 3, Issue 9, 2022, Pages 100-111]
Mirza Agha AmamiA reflection on the visual components of five works of flowers and birds by
Professor Haj Mirza Agha Emami [Volume 3, Issue 11, 2022]
Mirza MostafaInvestigating the selection of characters in the depiction of divine prophets in the lithographic book of Masnavi al-Atfaal [Volume 3, Issue 9, 2022, Pages 70-99]
MythologyAnalyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]
N
Narrative illustrationAnalyzing the relationship between visual narrative and fictional narrative in Noushafrin Gohartaj's lithographic book (1293 AH) [Volume 3, Issue 8, 2022, Pages 118-140]
Noushafrin GohartajAnalyzing the relationship between visual narrative and fictional narrative in Noushafrin Gohartaj's lithographic book (1293 AH) [Volume 3, Issue 8, 2022, Pages 118-140]
O
OperaOpera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
Ottoman tentThe royal tents of Iran and Ottoman, the impact-fixation and continuity of Safavid to Qajar art [Volume 3, Issue 8, 2022, Pages 72-105]
P
PackagingAnalysis of hand-woven packaging, using the graphic capacities of local designs, on cultural advertisements and introduction of original local designs
(Case Study weavings of Bushehr Province) [Volume 3, Issue 10, 2022, Pages 114-131]
Pahlavi literatureAnalyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]
PaintingHypertextual reading of Mehrana Zarei's works with pretexts from western cinema [Volume 3, Issue 10, 2022, Pages 30-51]
PaintingRe-reading the evolution of Isfahan buildings based on the drawings of European travel writers [Volume 3, Issue 9, 2022]
Perceived stressThe effectiveness of group music therapy on reducing perceived stress, during COVID-19 quarantine [Volume 3, Issue 8, 2022, Pages 106-117]
Personality selectionInvestigating the selection of characters in the depiction of divine prophets in the lithographic book of Masnavi al-Atfaal [Volume 3, Issue 9, 2022, Pages 70-99]
Peter EisenmanReading the concept of rhizome in the works of Peter eisenman from the perspective of Jill deleuze [Volume 3, Issue 8, 2022, Pages 32-49]
PlayOpera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
Q
Qajar photographyAn adaptive study of Qajar court photography and Qajar tile motifs from the visual perspective of Baudrillard (case study of Qajar mansion in Kermanshah province) [Volume 3, Issue 9, 2022, Pages 100-111]
Qajar tentThe royal tents of Iran and Ottoman, the impact-fixation and continuity of Safavid to Qajar art [Volume 3, Issue 8, 2022, Pages 72-105]
QomesComparative study of decorative patterns of brickwork in historical buildings of Qoms region (4th to 8th centuries AH) [Volume 3, Issue 9, 2022, Pages 112-129]
R
ReligionAnalyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]
S
Safavid tentThe royal tents of Iran and Ottoman, the impact-fixation and continuity of Safavid to Qajar art [Volume 3, Issue 8, 2022, Pages 72-105]
SaravanAnalyzing the visual characteristics of the prehistoric petroglyphs of "Darenegaran" in Saravan [Volume 3, Issue 8, 2022, Pages 50-71]
Sasanian artAnalyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]
Scene of Zahak's Hanging IllustrationComparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2022]
SemnanComparative study of decorative patterns of brickwork in historical buildings of Qoms region (4th to 8th centuries AH) [Volume 3, Issue 9, 2022, Pages 112-129]
Seyyed al-ShaaraPerspective in Seyyed al-Shaara's lithographic works (case study: illustrations of Bahr al-Fawaed book) [Volume 3, Issue 10, 2022, Pages 10-29]
Social SemioticsAnalysis of graffiti works in Iran during the 1380s and 1390s from the perspective of social semiotics [Volume 3, Issue 9, 2022, Pages 52-69]
Social StatusTransition from "social capital" to the creation of "social theory" in the sustainable development of architecture and urban planning: the basics of achieving physical capital [Volume 3, Issue 9, 2022, Pages 10-51]
SubjectAnalysis of "The hero’s subject" in mixed media figurative sculptures of contemporary Iranian artists from Bakhtin's point of view (90s) [Volume 3, Issue 11, 2022]
Sustainable developmentTransition from "social capital" to the creation of "social theory" in the sustainable development of architecture and urban planning: the basics of achieving physical capital [Volume 3, Issue 9, 2022, Pages 10-51]
T
Tahmasp’s ShahnamehComparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2022]
TaziehOpera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
Tekye DowlatOpera in Iran as “Shabihkhani”
(Studying its contemporary example in South Khorasan) [Volume 3, Issue 8, 2022, Pages 10-31]
TentThe royal tents of Iran and Ottoman, the impact-fixation and continuity of Safavid to Qajar art [Volume 3, Issue 8, 2022, Pages 72-105]
Text and image interaction theoryAnalyzing the relationship between visual narrative and fictional narrative in Noushafrin Gohartaj's lithographic book (1293 AH) [Volume 3, Issue 8, 2022, Pages 118-140]
TranstextualitéHypertextual reading of Mehrana Zarei's works with pretexts from western cinema [Volume 3, Issue 10, 2022, Pages 30-51]
U
Urban ArtAnalysis of graffiti works in Iran during the 1380s and 1390s from the perspective of social semiotics [Volume 3, Issue 9, 2022, Pages 52-69]
W
WeaponComparison of the Cow- head mace Motif in Scene of Zahak's Hanging painting in Tahmasp’s Shahnameh and the metallic Sample of the Metropolitan Museum (No. 36.25.1882) [Volume 3, Issue 11, 2022]
Woman CharacterThe Influence of Male Identity on the Formation of the Female Icon in Film-noirs of the 1940s [Volume 3, Issue 10, 2022, Pages 92-113]
WonderologyAnalyzing the representations of pictorial wonders in Pahlavi and Manichaean texts in the Sassanid era and the first three centuries after Islam in Iran [Volume 3, Issue 10, 2022, Pages 52-77]