خیمه های سلطنتی ایران و عثمانی، تاثیر -تثبیت و تداوم هنر صفوی تا قاجار

Statement of the problem: According to historical evidence, taking Ottoman art as a model from Iran has a long history, and one of the examples is the royal tents, which in terms of shape, decoration and structure; They are considered a symbol of the glory and power of Iranian and Ottoman sultans. So far, many studies have been done regarding the influence of Safavid art on Ottomans, and this article tries to investigate the continuation of this influence from Safavid art to Qajar by using Ottoman royal tents.

Purpose: To know the artistic elements of the Ottoman royal tent, which shows the influence, consolidation and continuity of Iranian art (Safawi-Qajar) on Ottoman arts.

Questions: What are the similarities and differences between Ottoman and Safavid-Qajar royal tents? Which features of Ottoman tents are influenced by Safavid and Qajar art?

Research result and research method: descriptive analytical research method, data collection through library-sites-museums and statistical community of the works of Golestan Palace Museum of Tehran, Topkapi Palace and Istanbul Military Museum-painting pieces and some tents of foreign museums. The result of the research shows common motifs used in Ottoman tents, and the most common one is influenced by the Safavid style, which continued until Qajar. In terms of structure and decoration, Ottoman tents were prepared based on the styles of the 10th to 13th centuries of AH Iran and were similar to Safavid in terms of decoration and execution. But due to the lack of elegance and innovation in the role and decoration, they are different from the Qajar period.

Statement of the problem: According to historical evidence, taking Ottoman art as a model from Iran has a long history, and one of the examples is the royal tents, which in terms of shape, decoration and structure; They are considered a symbol of the glory and power of Iranian and Ottoman sultans. So far, many studies have been done regarding the influence of Safavid art on Ottomans, and this article tries to investigate the continuation of this influence from Safavid art to Qajar by using Ottoman royal tents.

Purpose: To know the artistic elements of the Ottoman royal tent, which shows the influence, consolidation and continuity of Iranian art (Safawi-Qajar) on Ottoman arts.

Questions: What are the similarities and differences between Ottoman and Safavid-Qajar royal tents? Which features of Ottoman tents are influenced by Safavid and Qajar art?

Research result and research method: descriptive analytical research method, data collection through library-sites-museums and statistical community of the works of Golestan Palace Museum of Tehran, Topkapi Palace and Istanbul Military Museum-painting pieces and some tents of foreign museums. The result of the research shows common motifs used in Ottoman tents, and the most common one is influenced by the Safavid style, which continued until Qajar. In terms of structure and decoration, Ottoman tents were prepared based on the styles of the 10th to 13th centuries of AH Iran and were similar to Safavid in terms of decoration and execution. But due to the lack of elegance and innovation in the role and decoration, they are different from the Qajar period.

Statement of the problem: According to historical evidence, taking Ottoman art as a model from Iran has a long history, and one of the examples is the royal tents, which in terms of shape, decoration and structure; They are considered a symbol of the glory and power of Iranian and Ottoman sultans. So far, many studies have been done regarding the influence of Safavid art on Ottomans, and this article tries to investigate the continuation of this influence from Safavid art to Qajar by using Ottoman royal tents.

Purpose: To know the artistic elements of the Ottoman royal tent, which shows the influence, consolidation and continuity of Iranian art (Safawi-Qajar) on Ottoman arts.

Questions: What are the similarities and differences between Ottoman and Safavid-Qajar royal tents? Which features of Ottoman tents are influenced by Safavid and Qajar art?

Research result and research method: descriptive analytical research method, data collection through library-sites-museums and statistical community of the works of Golestan Palace Museum of Tehran, Topkapi Palace and Istanbul Military Museum-painting pieces and some tents of foreign museums. The result of the research shows common motifs used in Ottoman tents, and the most common one is influenced by the Safavid style, which continued until Qajar. In terms of structure and decoration, Ottoman tents were prepared based on the styles of the 10th to 13th centuries of AH Iran and were similar to Safavid in terms of decoration and execution. But due to the lack of elegance and innovation in the role and decoration, they are different from the Qajar period.