فردوس هنر

فردوس هنر

بررسی طرح و نقش رنگ در قالی کهنه نما (وینتیج) و تولید یک نمونه قالی بر اساس نتایج حاصل از پژوهش

نوع مقاله : مقاله پژوهشی

نویسندگان
1 کارشناس ارشد گروه فرش، دانشکده هنرهای کاربردی، دانشگاه هنر ، تهران، ایران
2 استادیار گروه فرش، دانشکده هنرهای کاربردی، دانشگاه هنر، تهران، ایران.
10.30508/fhja.2025.2060912.1209
چکیده
بیان مسئله: قالی دستباف ایرانی از دیرباز یکی از برجسته‌ترین نمادهای فرهنگی، هنری و اقتصادی ایران بوده و در سطح جهانی به‌عنوان نمادی از هویت ملی شناخته‌شده است. قالی‌های کهنه‌نما، که با ظاهری کهنه‌شده و درعین‌حال حفظ اصالت سنتی طراحی می‌شوند، یکی از انواع قالی‌های ایرانی هستند که در سال‌های اخیر توجه زیادی را به خود جلب کرده‌اند  و ترکیبی از سنت و نوگرایی را به نمایش می‌گذارند. این پژوهش به بررسی این تحولات و تأثیر آن‌ها بر قالی‌های کهنه‌نما پرداخته و درنهایت به طراحی و تولید نمونه‌ای نوآورانه از این نوع قالی اقدام کرده است.
هدف پژوهش: هدف اصلی این تحقیق، بررسی دقیق طرح‌ها، نقش‌مایه‌ها و رنگ‌های قالی‌های کهنه‌نمای ایرانی و تحلیل سیر تحولات آن‌ها درگذر زمان است. این مطالعه به دنبال شناسایی عوامل مؤثر بر این تغییرات و تأثیر آن‌ها بر جایگاه قالی کهنه‌نما در بازارهای داخلی و بین‌المللی است. علاوه بر این، هدف دیگر این پژوهش، طراحی و تولید یک نمونه قالی کهنه‌نما است که ضمن حفظ ارزش‌های سنتی قالی‌بافی ایرانی، نوآوری‌هایی در طرح و رنگ ارائه دهد. این نمونه باید پاسخگوی نیازهای بازار مدرن و سلیقه‌های معاصر باشد، درحالی‌که ریشه در سنت‌های غنی قالی‌بافی ایرانی داشته باشد.
سؤال تحقیق: سؤال اصلی این پژوهش این است که چگونه طرح‌ها، نقش‌مایه‌ها و رنگ‌های قالی‌های کهنه‌نما درگذر زمان تغییریافته‌اند و چه عواملی در شکل‌گیری این تحولات نقش داشته‌اند.
روش تحقیق: روش تحقیق این پژوهش کیفی و از نوع تاریخی است. داده‌ها از طریق مطالعات کتابخانه‌ای و اسنادی گردآوری‌ شده‌اند. منابع تاریخی مرتبط با قالی‌بافی ایرانی، به‌ویژه قالی‌های کهنه‌نما، بررسی‌شده‌اند تا سیر تحولات در طرح، نقش‌مایه و رنگ استخراج شود. این منابع شامل کتاب‌ها، مقالات علمی و اسناد تاریخی است. همچنین، مصاحبه‌هایی با بافندگان و کارشناسان قالی‌بافی انجام شده تا دیدگاه‌های تخصصی در این حوزه تکمیل شود.
در مرحله اول، داده‌های جمع‌آوری‌شده تحلیل‌شده و الگوهای تغییر در قالی‌های کهنه‌نما شناسایی ‌شده‌اند. سپس، با استفاده از یافته‌های این تحلیل، یک نمونه قالی کهنه‌نما طراحی و تولید شده است. این نمونه با هدف تلفیق عناصر سنتی و نوآورانه طراحی شده تا ضمن حفظ اصالت، پاسخگوی نیازهای بازار مدرن باشد.
نتیجه‌گیری: نتایج این پژوهش نشان می‌دهد که قالی‌های کهنه‌نما توانسته‌اند با حفظ اصالت قالی ایرانی، خود را با نیازهای بازار مدرن هماهنگ کنند. این قالی‌ها با تلفیق سنت و نوآوری، جایگاه خود را در بازارهای داخلی و بین‌المللی حفظ کرده‌اند. نمونه قالی تولیدشده در این پژوهش، گامی در جهت ایجاد سبکی جدید و هماهنگ با روندهای جهانی است. این نمونه نشان‌دهنده آن است که قالی ایرانی، باوجود گرایش به ساده گرایی، همچنان جایگاه ویژه‌ای در هنر جهانی دارد. برای ارتقای جایگاه قالی‌های کهنه‌نما، تحقیقات بیشتر درزمینهٔ تلفیق تکنیک‌های سنتی و مدرن و حمایت از بافندگان و طراحان پیشنهاد می‌شود.
 
 
کلیدواژه‌ها

موضوعات


عنوان مقاله English

Investigation of design and the role of color in vintage (kohne-nama) carpets and production of a carpet sample based on the research findings

نویسندگان English

Hana Sadat Sadati 1
Bijan Arbabi 2
1 Master of Arts, Carpet Department, Faculty of Applied Arts, Tehran University of Art, Tehran, Iran
2 Assistant Professor, Carpet Department, Faculty of Applied Arts, University of Arts, Tehran, Iran.
چکیده English

 
 Problem statement: The Iranian handmade carpet has long been one of the most prominent cultural, artistic, and economic symbols of Iran and is recognized worldwide as a symbol of national identity. This exquisite art, with its variety of designs, meticulous weaving, and use of natural colors and intricate motifs, has a special place among the world's works of art. However, under the influence of social, economic, and cultural developments, this industry has undergone numerous changes. Antique carpets, which are designed with an aged appearance while maintaining traditional authenticity, are one type of Iranian carpet that has attracted a lot of attention in recent years. These carpets reflect the historical developments in Iranian carpet weaving and display a combination of tradition and modernity. Antique carpets are given an antique-like appearance by using techniques such as special washing or soft colors, which gives them a special charm. These features have made these carpets popular in domestic and international markets. However, the designs, motifs, and colors of these carpets have changed under the influence of various factors, including cultural changes and market needs. This research has examined these developments and their impact on shabby-style carpets and has ultimately designed and produced an innovative example of this type of carpet.

Research Objective: The main objective of this research is to closely examine the designs, motifs, and colors of Iranian shabby-style carpets and analyze their evolution over time. This study seeks to identify the factors affecting these changes and their impact on the position of shabby-style carpets in domestic and international markets. In addition, another objective of this research is to design and produce a shabby-style carpet sample that, while preserving the traditional values ​​of Iranian carpet weaving, offers innovations in design and color. This sample should meet the needs of the modern market and contemporary tastes, while being rooted in the rich traditions of Iranian carpet weaving. This research also seeks to answer the question of how to present creative designs that are appropriate to today's needs while preserving the authenticity of Iranian carpets. In this regard, an attempt has been made to combine traditional and modern elements to produce a carpet that will find a special place in global markets.
Research question or hypothesis: The main question of this research is how the designs, motifs, and colors of old-fashioned carpets have changed over time, and what factors have played a role in shaping these changes. The hypothesis of this research is that old-fashioned carpets have undergone changes in design and color under the influence of cultural changes, economic developments, and changes in consumer tastes, but they have still maintained the identity and authenticity of Iranian carpets.


Research Method                                                 :
This research aims to investigate the historical developments of shabby carpets and produce an innovative sample, which is qualitative in nature and developmental in terms of purpose. The qualitative approach allows for a deep understanding of the cultural, artistic, and economic complexities affecting these developments, while the developmental nature of the research provides a forward-looking and practical approach by producing a practical sample of shabby carpets. This research uses a historical-analytical method that allows for the study of the evolution of shabby carpets over a specific period of time and the identification of factors affecting their transformations                                                       .          
The research was conducted in two main stages. The first stage included a comprehensive study of historical documents and sources surrounding shabby carpets, with the aim of understanding the course of changes and developments of these carpets in the three main areas of design, motif, and color over time. In addition to identifying evolutionary patterns, this stage also explored the why and how of the emergence of old-looking carpets. The second stage, relying on the findings from historical analyses and a complete understanding of the evolution of this type of carpet, within the framework of the research objectives, designed and produced a sample of an old-looking carpet that would meet contemporary needs while maintaining traditional authenticity                                                                          .
The statistical population of this study consists of old-looking Iranian carpets produced from the late Qajar period to the contemporary period, which are kept in specialized museums, reputable private collections, and archives of carpet weaving research centers. From this population, 28 carpet samples from the four main regions of Sarogh, Saraband, Varamin, and Kerman were selected using a purposive sampling method. Selection criteria included historical age (at least 50 years or with artificially aged features), diversity in motifs and dyeing techniques, quality of preservation and ability to be analyzed accurately, and accessibility for study and documentation                                                                      .
Conclusion
This study showed that Iranian antique carpets have undergone fundamental changes over time under the influence of a complex interaction of cultural, economic, and technical factors. From a cultural perspective, the tendency of modern societies towards simplicity and the acceptance of the concept of "beauty in imperfection" has caused consumers to change their taste from traditional intricate patterns to softer, antique-like designs. At the same time, economic factors such as increasing demand in international markets, shortage of sources of truly antique carpets, and growth in exports have driven Iranian manufacturers towards the production of antique carpets. At the same time, technological and industrial advances have enabled the development of chemical and physical techniques to create an aged appearance and have made it possible to combine traditional methods with modern technologies. The initial hypothesis of the research, that the identity and authenticity of the Iranian carpet will be preserved despite these developments, was confirmed by the continued use of traditional motifs such as bateh-jaqeh and Islamic flowers and the preservation of hand-woven techniques. The carpet sample designed and produced in this study is evidence of the successful combination of tradition and innovation and shows that it is possible to produce a product that meets the needs of contemporary decoration and is competitive in global markets by preserving traditional visual elements. In addition to its cultural and economic dimensions, this approach is also significant from the perspective of environmental sustainability, because the production of antique-looking carpets with a recycling approach is a positive step towards reducing waste and preserving the environment. Ultimately, this research proved that the ancient art of Iranian carpet weaving, with its adaptability, can still play a role in the global arena and provide a way for the continuation of Iran's rich cultural heritage in the modern world. It is suggested that future research focus on the comparative study of these products with similar examples from other countries and the impact of digital technologies on their design and production.

 

کلیدواژه‌ها English

Keywords: Antique-looking carpet
traditional pattern
carpet colorology
cultural heritage
artistic recreation